San jose taiko dvd

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Seller assumes all responsibility for this listing. Item specifics. Seller Notes:. Former Rental:. San Jose Taiko: Celebrating 3 Decades. Region Code:. DVD: 1. Does not apply. Shipping and handling. This item will ship to Germany , but the seller has not specified shipping options. Contact the seller - opens in a new window or tab and request a shipping method to your location. Shipping cost cannot be calculated. Please enter a valid ZIP Code. No additional import charges at delivery!

So I let the rhythms create the choreography of the arm movements. Then once we had the basic rhythms and arm movements, I worked to make the movements more dramatic where they would accent the rhythms. I added extra movement during the rests and during the syncopation. The drummers swing their arms in arcs or circles to make it more visual, but the movements in Gendai are within the rhythms or transitions between rhythms.

This tells performers that the music is to be performed with a triple-based rhythmic feel. This is used partially because rhythms in a swing feel rarely include notes on the second of the three parts of a triple pattern. As such, a triplet does not appropriately convey the rhythmic feel of the music. The commonalties discussed above are simply the result of having a common jazz lineage. Osuwa Daiko works rarely feature this ABA organizational scheme, instead having a simple binary form or a cyclical form in which the same group of rhythmic patterns is repeated many times.

Being Japanese-American, I felt that using that basebeat gave me a connection to Japan and I loved jamming to that swing rhythm. I composed Gendai because I liked and wanted the swing feel and added the syncopated rhythms to give it a modern feel. The jazz-ification of taiko has continued as more artists with jazz experience have brought this experience into the taiko world. San Jose Taiko [videorecording] : celebrating 3 decades. Physical description 1 videodisc : sd. Available online. Full view.

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